The early influences of his teacher Edwin Holgate and the work of James Wilson Morrice are seen clearly in the work of the late 1930s when the sombre and meticuluosly painted still lifes, interiors and portraits gave way to a looser approach and bolder palette.

During the 1930s and 1940s Paul’s involvement with the Montreal Art Community established his position as a gifted artist and dedicated painter. His long association with the artists of the Beaver Hall Studio (who formed the nucleus of the Montreal Academic Art Community) during this time provided the foundation for a long and rich journey in search of his own painterly vocabulary.

Later, work of the French Impressionists lured Paul even further from his academic roots, becoming the catalyst for a deep and lasting change in his creative sensibilities.

He is now recognized as a prominent figure in Canadian art history. His work has been frequently exhibited at the Montreal Museum of Fine Art, the Royal Canadian Academy and in travelling exhibitions sponsored by the National Gallery of Canada.

Notable Dates:

Born February 16, 1908, Antigonish, Nova Scotia

1926-28 Moved to Montreal and worked as commerical layout artist

1931 - Began Fine Art study with Adam Sheriff Scott R.C.A., Accepted as a member of Montreal Arts Club

1940-1945 Served Canada overseas, confirmed Captain Paul S. Andrew

1946-69 Lived in Town of Mont Royal, formed Mount Royal Arts School with Audrey Gautier and Jean Dunn, exhibited at Montreal Museum of Fine Arts

1970 Moved to Glovertown, Newfoundland

1978 Moved to Vancouver, British Columbia

2000 Died Vancouver, British Columbia